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We’ve updated our Terms of Use. You can review the changes here.

Second Symphony

by

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1.
Movement 01 04:59
2.
Movement 02 04:05
3.
Movement 03 07:25
4.
Movement 04 04:46
5.
Movement 05 09:51
6.
Movement 06 09:30
7.
Movement 07 03:03
8.
Movement 08 04:43
9.
Movement 09 12:38
10.
Movement 10 06:23
11.
Movement 11 07:53
12.
Movement 12 04:31
13.
Movement 13 03:26
14.
Movement 14 04:37
15.
Movement 15 03:41
16.
Movement 16 12:45
17.
Movement 17 05:00
18.
Movement 18 07:40
19.
Movement 19 03:08
20.
Movement 20 02:42
21.
Movement 21 06:04
22.
Movement 22 13:42
23.
Movement 23 06:47
24.
Movement 24 25:19
25.
Movement 25 05:51
26.
Movement 26 04:25
27.
Movement 27 09:47
28.
Movement 28 03:54
29.
Movement 29 06:34
30.
Movement 30 09:25
31.
Movement 31 06:51
32.
Movement 32 09:08
33.
Movement 33 07:25
34.
Movement 34 06:08
35.
Movement 35 06:06
36.
Movement 36 03:06
37.
Movement 37 05:12
38.
Movement 38 06:02
39.
Movement 39 04:49
40.
Movement 40 05:42
41.
Movement 41 01:08
42.
Movement 42 26:17
43.
Movement 43 27:25

about

Artist: Eugene Debs Sentimental Esoterichestra

Title: Second Symphony - The Machine Tells Me

Our Second Symphony.

This work is an orchestral transcription of our First Symphony.
Which itself was adapted from the music of our still unfinished opera, Kestrel.

The pianist D Bayne improvised the piano lines for Kestrel, which feature prominently in the First and Second Symphonies.
The guitarists Aaron Covarrubias and Jeff Goulet composed parts for Kestrel, which feature prominently in the First and Second Symphonies.
You should pay as much as you can afford to pay to acquire all of their recorded works.
Also, take them out to dinner.

dbayne.bandcamp.com
jeffgoulet.bandcamp.com

credits

released March 3, 2021

Composed by The MVM
Additional composers include D Bayne, Aaron Covarrubias, and Jeff Goulet

license

tags

about

The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind
... more

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