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Andrea Mantalbano - La Camera Incantata

from New Music Festival 02023 Documentation: Sunday, October 15 by EDME

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La Camera Incantata is a work for violin, cello and piano with a duration of 8 minutes. This composition, composed in 2017, has received prizes in several composition competitions, during the years.

As the title suggests, this piece, based on only one movement and internally divided into 4 parts, is characterized by a dreaming atmosphere in the first and fourth parts, with more frenetic musical trends in the second and third parts. In the piece’s developing we can see a continuous dynamic increase from the beginning until the third part, returning, in the fourth part, to the sounds and the dynamics of the first part.

- Andrea Mantalbano

Andrea Montalbano (Italy, 1990) started to study the clarinet at 12 and graduated with honors at the Conservatory “A. Scontrino” of Trapani in 2009, in the clarinet class of M°- Giancarlo Lumetta. In June 2011 Andrea has qualified as clarinet teacher at the Conservatory of music “G. B. Martini” in Bologna and during the same period has started his composition activity, writing the first works.

As clarinet player, Andrea is active in classical, jazz and contemporary music, and collaborated with many composers and musicians to play
premieres.

Andrea’s compositions have been awarded in national and international composer competitions, and have been performed in many events and festivals. Andrea is clarinet teacher in the Middle School since 2014.

credits

from New Music Festival 02023 Documentation: Sunday, October 15, released December 14, 2023
Performed by
Thomas Calletano Gonzalez, Violin
Adrian Cervantes, Cello
JP Lempke, Piano

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The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind
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