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B-mov·ie
/’bē, moovē’/
noun
a low-budget movie, especially (formerly) one made for use as a companion to the main attraction in a double feature.
“a B-movie actress”

Gracie Fagan is a multimedia artist and entrepreneur based in Lincoln, NE. She has written for acoustic, electroacoustic, and data driven mediums in conjunction with theatrical elements. Her works hinge upon examining the difference between human perception and reality, and comments on social and political justice. Her work drives forward a climate of collaboration beyond the arts and depicts the subconscious credibility bias against minorities in society.
In recent years, Fagan has lectured within the University of Nebraska
- Lincoln (UNL) over entrepreneurship within the arts and the importance of an inclusive undergraduate music curriculum. Fagan’s pieces continue to be selected for showcase in national conferences, including completing a residency with the Walden school and the Electronic Music Midwest Festival. She has received multiple grants to further her work, including the Ida M. Vreeland Award for outstanding creativity, the Vada Kinmann Oldfield grant for academic and artistic advocacy of minorities, and the 2018 Nebraska Young Artist award.
She is pursuing a Bachelor’s of Music Composition from the University of Nebraska - Lincoln (Spring 2023) and will continue on to graduate school to further study the relationship between data driven art and human psychological conception of environment.

credits

from New Music Festival 02022 Documentation: In The Gallery, released January 24, 2023
Composed by Gracie Fagan

www.graciefagan.com/about

Performed by
Christian Li, violin
Thomas Calletano Gonzalez, violin

Recorded by the administrative assistant on October 16 @ New Zone Gallery, at the third of three EDME New Music Festival shows in Eugene, Oregon, USA
Richard Fenton did a bit of mastering or something

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The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind
... more

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