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about

Groupthink is composed out of a desire to create a tonally consistent
piece built on diads. The pianist is restricted to the input of the group,
which is constantly shifting as participants add and remove cards. The
goal is to create something simple in structure, while allowing each resulting performance to be widely variable.

Daniel Perrea is a composer and filmmaker from Cincinnati, Ohio. His
first formal composition was Tranquility for piano written at age 12.
Inspired to continue creating music, Daniel began private composition
studies with Thomas Haines, music professor at the University of
Cincinnati Conservatory of Music, and formal piano lessons with Brian
Batchelor-Glader at the Cincinnati Music Academy. Daniel was a pianist in the Walnut Hills High School Jazz Ensemble. He collaborated with the Walnut Hills Theatre Department to compose original incidental music for numerous performances including The Cherry Orchard and Julius Caesar earning two nominations for CAPPIES (Critics and Awards Program) for regional theatre. Since 2016 Daniel has composed more than a dozen pieces. Recorded works include The Cherry Orchard Suite for sextet, Caliburn an alto saxophone concerto for wind ensemble, and Cibola a duet for piano and trombone. Daniel recently completed Cityscape: Los Angeles a suite for solo piano. He is currently studying Film Production with a focus on Directing at the Sidney Poitier New American Film School at Arizona State University.

credits

from New Music Festival 02022 Documentation: Audience Participation, released January 8, 2023
Composed by Daniel Perrea

soundcloud.com/dperrea

Introduced by JP Lempke
Performed by JP Lempke
Participation as guest composers by audience members
Recorded by the administrative assistant on October 16 @ First Christian Church, at the second of three EDME New Music Festival shows in Eugene, Oregon, USA
Richard Fenton did a bit of mastering or something

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The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind
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