Introduction of [Rosetta.new].do].ppt | Ryan Carraher | The Museum of Viral Memory

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Ryan Carraher - Introduction of [Rosetta.new].do].ppt

from New Music Festival 02022 Documentation: Audience Participation by Eugene Difficult Music Ensemble

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about

Most languages around the world have, on average, a total of 40
phonemes. Everything you’ve ever read, spoken, thought, or heard is a
re-ordering of a limited sonic palette. Today, you’ll experience a new
language created especially for you. In preparation for
[[Rosetta.new].do].ppt, the performers selected 15-30 phonetic sounds and constructed a language unique to them. They will attempt to teach you the basics of this language so that, in the end, you’ll be able to understand a joke. The catch is they can only speak using the language they created. Knock knock...<< uålt t’ël ñoi? >>

Ryan Carraher (b.1993) is a composer, guitarist, and improviser based in Seattle, WA. His work is concerned with articulating the vulnerability of the human body, the role failure plays in identity expression, and composer-performer-audience relationships informed by kinesthetic empathy.
His music has been presented at numerous leading festivals, including Darmstädter Ferienkurse, June in Buffalo, Either/Or’s Spring Festival, New Music on the Bayou, Oh My Ears, New Music on the Point, Charlotte New Music Festival, VIPA, and Etchings. Carraher’s music has been performed and commissioned by: Neue Vocalsolisten Stuttgart, Loadbang, Ensemble Dal Niente, Popebama, Line Upon Line, Vasko Dukovski, Mariel Roberts, ECCE, Ensemble x.y, Transient Canvas, Orlando Cela, Iwona Glinka, Peridot Duo, Rose Hegele, Stephanie Lamprea, Megan Inhen, Philipp Stäudlin, and others across Europe and the USA.

credits

from New Music Festival 02022 Documentation: Audience Participation, released January 8, 2023
Composed by Ryan Carraher

www.ryancarraher.com

Introduced by JP Lempke & Kiernynn Grantham-Crum
Performed by Kiernynn Grantham-Crum & the administrative assistant
Participation by audience members
Recorded by the administrative assistant on October 16 @ First Christian Church, at the second of three EDME New Music Festival shows in Eugene, Oregon, USA
Richard Fenton did a bit of mastering or something

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The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind ... more

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