João Pedro Oliveira - Rust | EDME | The Museum of Viral Memory

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João Pedro Oliveira - Rust

from New Music Festival 02023 Documentation: Saturday, October 14 by EDME

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about

Rust belongs to a group of four works that are inspired by nature’s elements: Magma for Violin and electronics; Titanium for piano 4 hands, 2 toy pianos and electronics; Burning Silver for flute, guitar and electronics; Rust for viola and electronics. Each of these pieces is related to the characteristics of the element in which it is inspired.

In Rust, the idea of a fragile object, which can break at any time, but whose appearance can be confused with the iron, reflects in a piece of music where melodic elements are broken, disperse and are reunited through several gestures and musical phrases. At the same time the hardness of the attacks and the way they are extended by the electronics, try to create the opposition between the weakness of the instrument, and the power of the electronic part.

Composer João Pedro Oliveira holds the Corwin Endowed Chair in Composi ion for the University of California at Santa Barbara. He
studied organ performance, composition and architecture in Lisbon. He completed a PhD in Music at the University of New York at Stony Brook. His music includes opera, orchestral compositions, chamber music, electroacoustic music and experimental video. He has received over 70 international prizes and awards for his works, including the prestigious Guggenheim Fellowship in 2023, the Bourges Magisterium Prize, and the Giga-Hertz Special Award, among others. His music is recorded in over 60 CDs, 12 of which are monographic. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). His publications include several articles in journals and a book on 20th century music theory.

www.jpoliveira.com

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from New Music Festival 02023 Documentation: Saturday, October 14, released December 14, 2023
Performed by
Will Harding, Viola

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The Museum of Viral Memory Eugene, Oregon

A lifetime in noise & experimental stitched to the last 100 years of electroacoustic, ecoacoustic, concrete magique

Improv jazz come unpinned from time

Conceptual music built from field recordings

Sound art for dreaming, drifting, disappearing

Ritual magick, slow to cast; slow to coalesce

Invocations unintended for human ears

Music in geologic time

Aureality for the non-conscious mind ... more

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